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Sunday Scroll

Edition #1225 Mar 23, 2025

From The GIST Team

Happy First Sunday of March Madness! Welcome to The GIST's Sunday Scroll, where we dive deep into one timely sports topic. With 80 matchups already down, the men's and women's brackets have brought equal amounts of drama, buzzer beaters, and upsets. But equal is a relatively new concept for the tourney. Scroll on as we examine the recent and rapid growth on the women's side. Ballin', baby. Sign Up

Quote of The Day

	To me, the best pure basketball I see today is among the better women's teams.
	— Former UCLA men's basketball head coach (HC) and legend of the game John Wooden, commenting on the state of women's hoops in the 1990s. Coach Wooden, always ahead of his time.

The Scroll

🔙 The backdrop Source: NCAA There've been many catalysts of change in the fight for equality in sports: Title IX and Billie Jean King winning the "Battle of the Sexes" of course spring to mind, along with Sedona Prince's 2021 TikTok that changed the game for NCAA women's basketball (WBB). The 37-second video from the then-Oregon forward not only documented the vast difference between the men's and women's weight rooms during the 2021 NCAA basketball championships, but also exposed a history of sexism in college sports that's left women's athletics consistently underfunded and undervalued. Prince became the face of the fight for gender equity in college basketball, but is now under scrutiny after being accused of multiple instances of relationship violence. And although her TikToks got the ball rolling, this movement is way bigger than one person. Public outrage prompted the NCAA to undergo a gender equity review following the viral TikToks, and to no one's surprise, the findings weren't pretty. According to the review, the NCAA didn't have a system or infrastructure in place to ensure gender equity, and its practices proved as much. The NCAA's business strategy was also flawed. It didn't consider women's sports to be revenue-producing (*rolls eyes*) and, as a result, limited the potential of women's sports' TV contracts, bundling them with 24 other championships in a 2011 media rights deal they sold to ESPN for $500M. Last January, the NCAA negotiated a new, $920M media deal, once again bundling WBB with 40 other championships through 2032 despite a recommendation from the gender equity review valuing women's March Madness between $81M and $112M on its own. Ugh. Still, the findings of the review were a much-needed wake-up call, and the NCAA implemented some major changes as a result. In 2022, WBB finally enjoyed equal branding with men's basketball (MBB). Since then, the women's tourney has been able to use the title "March Madness," and both Final Fours now have either "men's" or "women's" in the official name. The update provided the women's event with one of American sports' most valuable marketing assets, increasing name recognition for fans and business opportunities for advertisers. Boom.

📈 The impact Source: Andy Lyons/Getty Images Once the NCAA gave WBB the opportunity, there was no looking back. Every year since the TikTok heard 'round the world, women's March Madness has grown more and more successful. Example A? Viewership of the championship game. In 2022, the gals set a record high with a viewership average of 4.85M. That number nearly doubled in 2023 with 9.9M, then doubled again last year, coming in at 18.9M — nearly 4M more than the men's. Much of that increase was driven by the popularity of a singular superstar: Caitlin Clark. The Iowa alum and current Indiana Fever WNBA hooper drew unprecedented eyeballs to the collegiate women's game with broken records, eye-popping logo threes, and unmatched swag. A ratings juggernaut. While overall regular-season viewership has dropped slightly since Clark graduated last spring, ratings are still up significantly from before her era — and she's brought another viewership boom with her to the pros. Sponsors, of course, have taken note. Heading into the tournament, ESPN's ad sales are up a whopping 132% from last year. And now that college athletes can sign name, image and likeness (NIL) deals with brands, WBB hoopers have taken advantage. In fact, women athletes outperform their male counterparts in several NIL metrics. Take UConn's Paige Bueckers, LSU's Flau'Jae Johnson, and USC's JuJu Watkins, who are paving the way with groundbreaking deals left and right. Money. And outside brands aren't the only ones putting their money where their mouth is. This year, the NCAA will award prize payouts, aka "units," to conferences whose WBB teams compete in the Big Dance. The men have used this system for years, but now the women are finally getting a piece of the pie.

🛑 The roadblocks Source: Greenville News Demand for the women's March Madness tournament is surging, but continued infrastructural failings can't be ignored. For example, the women's Final Four will take place at Tampa's 20.5K-seat Amalie Arena, while the men will head to San Antonio's Alamodome, which fits around 68K. Locations are chosen years in advance, so these venues don't reflect WBB's rapid growth. Of the facilities chosen to host the women's tournament through 2031, only one stadium has a capacity over 50K — that'll be when the women hoop at the Alamodome in 2029. The next three women's Final Four sites only fit up to 20.5K fans. There also remains a huge pay gap between MBB and WBB coaches. This January, legendary South Carolina women's HC Dawn Staley became the highest-paid bench boss in WBB after leading her Gamecocks to their third national championship of her tenure, inking a new salary worth $4M annually. While impressive, 23 men's coaches earn more. Kansas' Bill Self, the highest-paid men's coach — whose team has fumbled two straight AP No. 1 preseason rankings — earns twice as much.

🆕 The evolving landscape Source: G Fiume/Getty via The New Yorker The Caitlin Clark Effect has a long tail, especially with so many young WBB stars on the rise. For example, last season, the aforementioned Bueckers chose to return to school for a fifth year instead of declaring for the WNBA Draft, in part because of her NIL earnings. Now, she'll enter next month's draft as the likely No. 1 overall pick — and perhaps as a national champion. TCU's Hailey Van Lith made a similar call, believing an extra year in college would be better for her development rather than leaping to the pros. And when it comes to star power, the game's in very good hands. Of this year's five first-team All-Americans, three are just sophomores: USC's Watkins, Notre Dame's Hannah Hidalgo, and Texas' Madison Booker — future's so bright, you gotta wear shades. College WBB's symbiotic relationship with the WNBA is also crucial to the pro league's growth, as well as that of brand-new league Unrivaled, started by former UConn teammates Breanna Stewart and Napheesa Collier. And as both leagues continue to expand, there'll be added roster spots ensuring more college stars can play at the next level. Swish swish.

Together With Beats by Dre Source: Beats by Dre Say goodbye to earbud anxiety. With Powerbeats Pro 2, the only thing you have to worry about during your next workout is pushing yourself to the next level. Here are some key features: 💦 They're sweat and water resistant 💪 Transparency Mode lets you stay locked to your playlist and your surroundings 🎶 They boast the premium sound quality Beats by Dre products are known for And the best part? After being tested on nearly 1K elite athletes, you know they'll deliver — just like your fave sports star in crunch time. Music to our ears.

The GIST's Picks

Hi. It's us. We're the recommenders, it's us.

📩 What to subscribe to The GIST's free women's sports business newsletter. If you liked today's Scroll, you'll love reading about the business of women's sports three times a week. 🛒 What to add to cart This iconic t-shirt. As seen on the one and only HC Dawn Staley, among countless others, you too can rock the tee all tourney long. 🤔 What to read up on How the upcoming House v. NCAA settlement will impact women student-athletes. Watch this space.

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Today's email was brought to you by Katie Kehoe Foster, Lauren Tuiskula, and Rachel Fuenzalida. Editing by Molly Potter. Fact-checking by Mikaela Perez. Operations by Marga Sison. Ads by Katie Kehoe Foster, Alessandra Puccio, and Lisa Minutillo. Managing edits by Lauren Tuiskula. Head of content Ellen Hyslop.

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